More Music I Like

I’ve been listening to a lot of music in my car lately. When you have a long commute to and from work like I do, music is what makes the miles pass by without the monotony.

To say that my musical tastes are eclectic is like saying that the Pope is a little Catholic or that Kanye West is slightly fond of himself. I think I’ve reached the level of “they should make pills for this” in terms of my musical diversity and range.

So, here’s a sample of what I’ve listened to in my car on the way home from work:

  1. Toad the Wet Sprocket – Bread and Circus. It’s a definitive 90’s album that was recorded in 1988. This kind of music makes me want to go to the kind of coffeehouses that used to exist before Starbucks made them so very mainstream.
  2. Neil Young- Chrome Dreams II. It’s not going to be everyone’s cup of tea, but I like it. Besides, you don’t really hear too many 18-minute songs these days.
  3. Coldplay- Ghost Stories. It’s not my absolute favorite of theirs and isn’t nearly as good as Viva La Vida, but it’s still Coldplay, and that makes it entirely listenable.
  4. The Violent Femmes- The Violent Femmes. It’s from the early 80’s but sounds as fresh as anything being played on Lightning 100. It’s very punk in attitude if not in sound. Whatever it is, it’s classic.
  5. XTC-Oranges and Lemons. This is pre-grunge alternative music at its finest.
  6. Geoff Mann-In One Era. This is some very interesting (and sometimes odd) British Christian music from the early 80’s. I believe this is obscure even for hipsters.

I think that gives you a good idea of the variety of what I’m listening to, if not to the full extent of my eclecticism. I don’t really categorize my music anymore. It’s either music I like or music that bores me.

As always, I’m continually looking for new music that explores the road less travelled. In other words, I’m not all that interested in what’s trendy or what’s on the pop charts. The more obscure, the better.

The end.

 

The Further Adventures of Bob Dylan on the Brain

loveandtheft

“Well, there’s voices in the night trying to be heard
I’m sitting here listening to every mind-polluting word
I know plenty of people who would put me up for a day or two
Yes, I’m tryin’ to get closer but I’m still a million miles from you” (Bob Dylan)

As of this report, I’ve made it all the way to the year 2001. In Bob Dylan time, that translates to the album Love and Theft. By this point, his voice has lost whatever velvety softness it ever had and has picked up a growly quality, kinda like ol’ Bob’s been gargling with razor blades.

Still, his voice also has a lived-in quality, like it’s from a man who’s been just about everywhere, man, and seen just about everything and lived to tell about it. Not all of it was pretty, but just about all of it makes for some really good songs.

I have to add that I think the Daniel Lanois-produced album Time out of Mind would have made an excellent musical companion to the short-lived TV show Twin Peaks. Particularly the song “Million Miles” sounds like it could have fit perfectly in with a slice of apple pie and a “damn good” cup of coffee. I especially love the reverb on the guitars. (I almost sound like I know what I’m talking about, right?) I think the Grammys got it right when they made this the album of the year way back in 1997.

He also did a couple of throwback albums, entitled Good as I Been to You and World Gone Wrong, that hearken back to when it was just Bob, his guitar, and his harmonica. I thought he did a fantastic cover of the old song “Tomorrow Night,” made famous by Sun Records-era Elvis Presley, among others. The plaintive song brings out the best in Mr. Dylan’s vocal abilities, at least in this writer’s humble opinion.

I only have five albums to go (six if I run across a great deal on his 2015 album or one of his bootlegs that I don’t have). I guess I’ll have to decide after that who to listen to next. Maybe Neil Young?