More 90s CCM Goodness

I’ve been listening to a podcast series by Andy Chrisman lately. Or more accurately, I’ve been watching Youtube videos of a podcast series by Andy Christman. They’re all centered around the Christian music industry and a lot of the stories revolve around 90s CCM.

To me, the 90s were the best decade for Christian music. There was such a diversity of talent and sounds that invaded radio stations all over the country. And that was back when radio stations had actual playlists of more than 15 songs.

For me to hear any Christian song from the 90s will take me back to the moment when I first heard it. Most likely, I can tell you the artist, the song and even the album title. I’d probably be really good at trivia centered around 80s and 90s Christian music.

But hearing the stories behind the songs from artists like 4Him and Russ Taff just makes their message more meaningful. To hear the struggles and hardships that the artists went through makes me appreciate them all the more. It also makes me want to pump up the volume on some 90s CCM at some point in the very near future.

I’m thankful that Christian music still exists. In some ways, it’s bigger than it’s ever been with a wider reach and more people buying albums and going to concerts. But compared to the rich variety of the 90s, there’s a bit of a sameness to a lot of what I hear currently. And I’m sure you could ask any Christian artist around today, and they’d probably say their inspiration came from something out of the 90s. And those from the 90s would probably point to artists in the 70s for inspiration (but that’s a discussion for another day).

I am thankful that I had all that great music to be a part of the formation and shaping of who I am today and what I believe. I’m thankful for the solid lyrics that will still come to mind to this day whenever I think of a particular artist. I’m thankful that so much of 90s CCM is part of the soundtrack to my life.

Old School CCM

Maybe this makes me super old, but old music just sounds better. It sounds like real people playing real instruments and singing with real voices.

I grew up on 80s and 90s music, but if you want to get me started and never shut up, start talking to me about 80s and 90s Contemporary Christian Music. Mention artists like Kim Hill, Steven Curtis Chapman, Susan Ashton, PFR, dc talk, Julie Miller, Rich Mullins and so many of those others.

I’m pretty sure I’d win a trivia contest based off of old-school CCM. Or at least I’d know some of the answers.

One of my favorite artists from back when was Julie Miller. She had a unique sound and voice and could write songs like nobody else. Probably my favorite of hers is a song called “Nobody But You.” It’s so honest and transparent and true. Here are the lyrics:

“I have seen the night of a million tears
I have seen an angel’s smile
I have come of age and remained, these years
With the longings of a child

Nobody but you can find my heart
Nobody but you sees in the dark
Nobody but you can call my name and scatter all my pain

I have had the fears of an orphaned heart
I have had a homeless soul
I have been embraced in the arms of grace
You have brought my spirit home

Nobody but you can find my heart
Nobody but you sees in the dark
Nobody but you can call my name and scatter all my pain

Nobody but you can find my heart
Nobody but you sees in the dark
Nobody but you can call my name and scatter all my pain

Nobody but you, nobody but you
Nobody but you, nobody but you
Nobody but you, nobody but you
Nobody but you” (Julie Miller).

More Musical Goodness for Your Consideration

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Recently, I picked up Natalie Merchant’s Paradise Is There: The New Tigerlily Recordings. For those of you who missed the 90’s, Tigerlily is one of the defining albums of that decade.

It was Natalie Merchant’s breakthrough as a solo artist after fronting 10,000 Maniacs for over a decade. Listening to that album always takes me to a place where my soul is at rest and worries fade away.

The 90’s saw a renaissance and resurgence of singer-songwriters, particularly female artists. Some of my favorites from that era are Sarah McLachlan, Paula Cole, Fiona Apple, and– of course– Natalie Merchant.

I can’t wait to hear the new takes on old tunes. Of course, I will have to revisit the original recordings first. I can envision a scenario where I’m in my car with the windows rolled down, driving at dusk toward my destination. That’s still my favorite way to experience music.

I’ll let you know my thoughts on Paradise is There. In the mean time, I remain as always open to your musical suggestions. The further off the beaten path of the usual radio fare, the better.